Jacqueline Ross, Violin
Teaching Session : Sep. 06 ~ 15
Jacqueline Ross enjoys a unique and varied career performing on both modern and period instruments. Born in New York, she began her studies under the legendary Joseph Fuchs at the Juilliard School, continuing studies in contemporary music with Saschko Gawriloff in Germany, and baroque violin with Lucy van Dael in Amsterdam. Her solo recordings, which have been met with wide critical acclaim, include the Complete Sonatas and Partitas of JS Bach, which were recorded using a very rare Andrea Amati violin made in 1570, on loan to her from the Chi Mei Foundation:
Elegant, thoughtful phrasing, imparting inner life to the music, with a strong sense of the character of each dance…Ross’ close relationship to the music bears rich dividends” Gramophone
“Ross is constantly alert to the music’s roots in dance and rhetoric, striking an ideal balance between light-footed articulation and seriousness of intent.” The Strad
“These performances exude a subtle understanding of style, and her handling of fast tempi is particularly well-judged. She offers abundant rewards, including searching tone and phrasing in slower movements.” Musicweb International
The Complete Works for Violin and Fortepiano by Schubert, were recorded in partnership with Maggie Cole for Naxos Records. Volume 2 of this set includes an original adaptation of the virtuoso Trockne Blumen Variations:
Ross produces an inherently sweet and transparent tone without being overly suave. The sound is unfailingly involving. Ross’s pliant long line in the Andantino from the C major Fantasy is one instance of the sheer listenability of this disc, yet there’s nothing lacking in terms of bravura playing elsewhere…first rate” The Strad
As a devoted teacher, Jacqueline attracts an international following as Professor at the Guildhall School of Music and Drama in London. She is regularly invited to give masterclasses internationally, which include: Curtis Institute, the Juilliard School, Paris Conservatoire, Beijing Central Conservatory, and conservatories throughout Europe and the Far East. She has also adjudicated on many major violin competitions, including the Menuhin, Isang Yun, Salzburg Mozart, Leopold Mozart, Markneukirchen, Königen Sophie-Charlotte, and Louis Spohr International Violin Competitions, among others. Her research into style and performance has been supported by the Dutch Arts and Humanities Research Board, The British Council, and the London Centre for Arts and Cultural Exchange. She has also received research grants from Birmingham Conservatoire and Guildhall School of Music and Drama. She has recently been awarded an AHRC - Centre for Musical Performance and Creative Practice (CMPCP) Visiting Fellowship based at Cambridge University, to further her research on early 19th century performance practice, and to prepare a performing edition of Schubert’s Trockne Blumen Variations, in her adaptation for violin. She is currently preparing a critical and performing edition of Clara Schumann’s Drei Romanzen op. 22 for Bärenreiter, to be published in March 2021. Jacqueline performs on a GB Guadagnini violin made in Turin in 1777, which was financed for her with kind help from NW Brown.
在杰奎琳·罗斯独特且多样化的职业生涯中，她不仅演绎当代乐器还演绎早期乐器。她出生于纽约，在茱莉亚音乐学院师从传奇名师约瑟夫·富克斯，在德国与萨斯奇科·加里洛夫继续学习当代音乐，随后在阿姆斯特丹与露西·范·达尔学习巴洛克小提琴。她的独奏专辑获得了评论界的广泛好评，其中包括巴赫的《小提琴奏鸣曲全集和帕蒂塔》，这是用奇美基金会借给她的1570年制作的珍贵阿玛蒂小提琴录制的：
优雅细腻的音乐处理、给音乐注入内心的生命、具有强烈的舞蹈性，她与音乐的亲密无间关系得到了丰厚的回报，一个平衡轻盈的清晰度和严肃性。这些表演流露出对风格的微妙理解，她对快速演奏的音乐片段处理尤其准确。
她曾在纳克索斯唱片公司录制舒伯特《小提琴和钢琴全集》，是与玛姬·科尔合作录制的。罗斯的演奏甜蜜柔美且纯粹透明，而非过度温和，她的音乐总是令人沉浸其中。作为一名尽职尽责的教师，杰奎琳在伦敦市政厅音乐和戏剧学院担任教授，并且吸引了来自世界各地的追随者。她经常被邀请在国际上开设大师课，包括：柯蒂斯学院，茱莉亚学院，巴黎音乐学院，北京中央音乐学院，以及欧洲和远东的音乐学院。她还在许多主要的小提琴比赛，包括梅纽因国际小提琴比赛、萨尔茨堡莫扎特国际小提琴比赛、利奥波德莫扎特国际小提琴比赛，马克诺伊基兴国际小提琴比赛、国王苏菲夏洛特国际小提琴比赛和路易·苏菲国际小提琴比赛等。
她对风格和表演等领域的研究得到了荷兰艺术和人文研究委员会、英国文化协会和伦敦艺术和文化交流中心的认可。她还获得了伯明翰音乐学院和市政厅音乐戏剧学院的研究赞助。她最近获得了剑桥大学艺术与人文研究委员会和音乐表演和创作实践中心奖学金，以进一步研究19世纪早期的表演实践，并筹备舒伯特的《特洛克尼·布鲁曼变奏曲》的小提琴改编版。杰奎琳目前演奏的是1777年在都灵制造的瓜达格尼尼小提琴。